COMPREHENSIVE BIBLIOGRAPHY

Addison, Gayle Jr., ed. The Black Aesthetic. 1971, 1972 Anchor Books: Garden City, NY NX512.3 N5

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Agawu, Kofi. "Conversation with Ephraim Amu: The Making of a Composer," Black Perspective in Music 15/1(1987):51-63

Alaja-Browne, Afolabi. "A History of Intercultural Art Music in Nigeria," in Kimberlin and Euba, ed., Intercultural Music 1, pp. 79-94

Avorgbedor, Daniel. "The Pan-African Orchestra within its Sociopolitical Contexts" Paper read at the Mid-Atlantic Chapter meeting of the Society fo Ethnomusicology, 1989, New York City

Baker, David N. et al., ed. The Black Composer Speaks.Metuchen, N.J.: Scarecrow Press, 1977 ML390 B64

Baker, Houston, Jr. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1984 BSL PS153 N5B23

Baker, Houston, Jr., ed. The Black Public Sphere : A Public Culture Book. Chicago, Ill. : University of Chicago Press, 1995

Banfield, William. Landscapes in Color: Conversations, Perspectives and Visions of American Composers (forthcoming, University Press of America)

Banfield, William. "`The Undeniable Groove'": How we Talk about Aesthetic Construction in Black Works," in This is How we Flow: Black Rhythm

(forthcomng, University fo Southern California Press)

Baraka, Imamu Amiri (LeRoi Jones). "A Black Value System," in Woodie King and Earl Anthony, Black Poets, pp. 137-147

Bottomley, Gillian. "Culture, Ethnicity and the Politics/Poetics of Representation," Australian and New Zealand Journal of Sociology 28/2 (1992)

Dor, George. "Trends and Stylistic Traits in the Art Compositions of E. Amu, N.Z. Nayo, and J.H.K.Nketia: A Theoretical Perspective." M.A. thesis, School of Performing Arts, University of Ghana, Legon

Euba, Akin. "Ayo Bankole: A View of Modern African Art Music through the Works of a Nigerian Composer," in Akin Euba, Essays on Music in Africa,1. IWALEWA-Haus, Bayreuth: Universität Bayreuth, 1988, pp. 87-117 ML350 .1 E9

Euba, "The Potential of African Traditional Music as a Contemplative Art," Black Orpheus 3/1 (1974)

Euba, Akin. "Intercultural Expressions in Neo-African Art Music: Methods, Models and Means," in Akin Euba, Essays on Music in Africa, 2. Lagos, Nigeria: Elekoto Music Centre, 1989, pp.115-178 ML350 .1 E9

Euba, Akin. "Creating Authentic Forms of New African Art Music," in Working Documents, International Conference on African Music and Dance: Problems and Prospects. Bellagio Study and Conference Center, October 12-16, 1992; pp. 303-330

Feelings, Tom. The Middle Passage : White Ships/Black Cargo . New York : Dial Books, 1995 ND 237 .F32 A4

Floyd, Samuel A. Black Music in the Harlem Renaissance: A Collection of Essays. New York : Greenwood Press, 1990

ML3556.8.N5 B6 1990

Floyd, Samuel A.The Power of Black Music. Interpreting its History from Africa to the United States.New York: Oxford University Press, 1995 ML3556.F65

Gabbin, Joanne V. and Sterling A. Brown Building the Black Aesthetic Tradition. Westport, Conn.: Greenwood, 1985

Gates, Henry Louis. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press,1988 BSL PS153 N5G28

Gilroy, Paul. "Sounds Authentic: Black Music, Ethnicity, and the Challenge of a Changing Same," in Lemelle and Kelley, eds. Imagining Home, pp.93-117

Gilroy, Paul. The Black Atlantic : Modernity and Double Consciousness . Cambridge, Mass. : Harvard University Press, 1993

Green, Mildred Denby. Black Women Composers: A Genesis. Boston: Twayne Publishers, 1983 ML390 G73

Gregory, Steven. "Race, Identity and Political Activism: The Shifting Contours of the African-American Public Sphere," in Baker, ed., The Black Public Sphere, pp.151-168

Grinier, Line. "The Construction of Music as a Social Phenomenon: Implications for Deconstruction," Canadian University Music Review/Revue de musique des universités canadiennes 10/2(1990):27-47

Harris, Carl. "Conversation with Undine Smith Moore, Composer and Master Teacher," Black Perspsective in Music 13/1(1985):79-90

Handy, William Christopher. NegroAuthors and Composers of the United States. New York: Handy Brothers Music Co., Inc., 1938, reprinted 1976 BSL ML3556 H23

Hountonjin, Paulin. African Philosophy: Myth and Reality. Bloomington: Indiana University, 1996. 2nd ed. BSL B5305 H681 1996

Hutchinson, George. The Harlem Renaissance in Black and White .Cambridge and London: The Belknap Press of Harvard University, 1995 BSL PS153 N5 H86

Irele, Abiola. The African Experience in Literature and Ideology . Bloomington: Indiana University Press, 1990.

Irele, Abiola. "Is African Art Music Possible?" Transition 61(1992):61-71

Johnson, Charles. Middle Passage. New York: 1990 BSL PS3560 03735 M5

Jones LeRoi (Baraka, Amiri). Blues People: The Negro Experience in White America and the Music that Developed from it. New York: Morrow, Quill, 1963 BSL E185 .615 K53

Kafui, Kenneth. Six Ghanaian Composers. Unpublished ms.

Kebede, Ashenafi. Roots of Black Music: The Vocal, Instrumental, and Dance Heritage of Africa and Black America . Englewood Cliffs, N.J.: Prentice-Hall, 1982

Kimberlin, Cynthia Tse; Akin Euba, ed. Intercultural Music . Bayreuth African Studies series 29. Papers presented at the First International Symposium (Bayreuth: E. Breitinger, 1995) ML197 I55 v.1-2

King, Woodie; Earl Anthony. Black Poets and Prophets: The Theory, Practice, and Esthetics of the Pan-Africanist Revolution. New York: New American Library, 1972 BSL E185 .615 K53

Knopoff, Steven. "The Use of African Music by Western Art Music Ccomposers," in Working Documents, International Conference on African Music and Dance: Problems and Prospects. Bellagio Study and Conference Center, October 12-16, 1992; pp.1-17

Kramer, Lawrence. Classical Music and Postmodern Knowledge . Berkeley: University of California Press, 1995

Langley, J. Ayodele. Ideologies of Liberation in Black Africa, 1856-1970: Documents on Modern African Political Thought from Colonial Times to the Present. London: Richard Collins, 1979

Lemelle, Sidney J. and Robin D.G. Kelley, eds. Imagining Home: Class, Culture and Nationalism in the African Diaspora. London/New York: Verso, 1994 BSL TD16.5 I4

Lemelle, Sidney. "The Politics of Cultural Existence: Pan-Africanism, Historical Materialism and Afrocentricity," in Lemelle and Kelley, Imagining Home, pp. 331-350

Lepperts, Richard and Susan McClary, eds. Music and Society: The Politics of Composition, Performance and Reception . Cambridge: Cambridge University Press, 1987

Locke, Alain. "The Legacy of the Ancestral Arts," in Alan Locke, ed., The New Negro. New York: Atheneum, 1974 [1925], pp. 254-267 BSL E185.82 L6

Mensah, Atta Anan. "Compositional Practices in African Music." The Garland Encyclopedia of World Music vol. 1. Africa. New York: Garland Publishing, 1998, pp. 208-231 ML100 G16

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RESERVE MATERIALS--SOUND RECORDINGS (partial list)

Black Composers Series (CBS Records) LP1 4217 (9 record set)

Art Songs by Black Composers LP1 3011 (2 LPs)

Piano Music by African American Composers LP3 1797(2 cds)

The Pan African Orchestra LP3 3699 (1 cd)

Music for Chamber Ensemble LP3 1802 (1 CD; See Olly Wilson)

Afro-American Symphony (William Grant Still) LP30841

Blood in the Fields (Wynton Marsalis; on order)

Le Chat (David Baker) LPR00937

Zodia Suite (Mary Lou Williams) LP33398

African Portriats (Hannibal Lokumbe) LP33265

The Middle Passage (Anthony Davis) LP33187

13420

LP31711 (cd)

SCORES

Afro-American Symphony (William Grant Still) M1001 .S834 NO.1

Piano Sonata no. 1 (rev. ed., George Walker) M23 W25 no. 1 rev.

Folk Songs for Orchestra (George Walker) M1045 W33 F6

Yoruba Folk Songs (Akin Euba) M1621 .E82 Y6

Scences from Traditional Life (Akin Euba) M25 .892 S2

5 Dialects in African Pianism (Gyimah Labi) personal copy

--varieties of mss from personal collection (including sheet music) to be added